REGIE / Aulona Selmani
KAMERA / Hannes Cullum
PRODUKTION / Lauro Jenni
SCHNITT / Carmen Walker
DREHBUCH / Caroline Palla
REGIEASSISTENZ / Dorentina Imeri
KOSTÜM / Leonor Kotoun & Tanita Somnus
PRODUCTION DESIGN / Sandra Antille
SOUNDDESIGN & MUSIK / Daniel Eaton
MASKE / Ximena Fanchini
SCRIPT CONTINUITY / Leonardo Mastrogiacomo
GAFFER / Gaëtan NicolasBEST
ELECTRIC / Laura Morales
ELECTRICIAN / Lars Köppl
DOLLY GRIP / Nico Drechsel
GRIP / Alvaro Kreyden
SET-AUFNAHMELEITUNG / Levin Vieth
1st AC / Vanessa Blättler
2nd AC & DIT / Isabelle Simmen & Manuel Seiler
TON / Simon Schmalz, Gabriel Grosclaude & Roman Stocker
POST PRODUCTION & SCHNITTASSISTENT / Lars Wicki
AUSSTATTUNGSASSISTENZ / Viviane Rapp
CATERING / Carmen Walker, David Oesch, Levin Vieth
RUNNER / Caroline Palla
HELPER / Basil Gallati
CORONA SAFETY / Lars Köppl
HERSTELLUNGSLEITUNG / Filippo Bonacci
SI NË VAJ
Nadia was a beacon of hope in the Yugoslav cultural scene. The young widow is now serving in the visitor service of a Swiss museum. The sisters-in-law give at home set the tone. Nadia’s grown-up daughter Era is driven by despair. All over sudden the nationalgalerie gets in touch with her again and Nadia effectively start to plan the resistance against her family prison. In the midst of a burst pipe and preparations for the Premiere party of her daughter and all along the lines of the women of Athens and Spartas.